All lyonel feininger Oil Paintings

Painter, printmaker and illustrator. Although he was sent to Germany as a teenager to study music, a drawing class at the Kunstgewerbeschule in Hamburg instead sparked an interest in art, which led to further training at the Akademie der K-nste in Berlin and in 1892-3 at the Acad?mie Colarossi in Paris. Returning to Berlin, he was a prominent illustrator by the mid-1890s for Ulk, Lustige Bl?tter and other leading German satirical magazines. His work also appeared in the USA, first for Harper's Round Table in 1894 and 1895 and in 1906-7 in the comic strips 'The Kin-der-Kids' and 'Wee Willie Winkie's World' for the Chicago Sunday Tribune, by which time he was again in Paris. There he was also in contact with Wilhelm Uhde, Jules Pascin and other members of the circle that met at the Caf- du D?me and produced a series of drawings for Le T-moin. While often alluding to serious contemporary issues, the style of his illustrations and drawings was fanciful rather than grotesque.
 
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  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
lyonel feininger the lady in mauve oil painting


the lady in mauve
Gemälde IDENTIFIZIERUNG::  56533 		the lady in mauve
mk247 1922,oil on canvas,39.5x31.75 in,100.5x80.5 cm,museo thyssen-bornemisza,madrid,spain
mk247 1922,oil on canvas,39.5x31.75 in,100.5x80.5 cm,museo thyssen-bornemisza,madrid,spain
   
   
     
lyonel feininger ostra koret av katedralen i halle oil painting


ostra koret av katedralen i halle
Gemälde IDENTIFIZIERUNG::  67565 		ostra koret av katedralen i halle
1931 se
1931 se
   
   
     
lyonel feininger skonare till sjoss oil painting


skonare till sjoss
Gemälde IDENTIFIZIERUNG::  67828 		skonare till sjoss
se
se
   
   
     
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     lyonel feininger
     Painter, printmaker and illustrator. Although he was sent to Germany as a teenager to study music, a drawing class at the Kunstgewerbeschule in Hamburg instead sparked an interest in art, which led to further training at the Akademie der K-nste in Berlin and in 1892-3 at the Acad?mie Colarossi in Paris. Returning to Berlin, he was a prominent illustrator by the mid-1890s for Ulk, Lustige Bl?tter and other leading German satirical magazines. His work also appeared in the USA, first for Harper's Round Table in 1894 and 1895 and in 1906-7 in the comic strips 'The Kin-der-Kids' and 'Wee Willie Winkie's World' for the Chicago Sunday Tribune, by which time he was again in Paris. There he was also in contact with Wilhelm Uhde, Jules Pascin and other members of the circle that met at the Caf- du D?me and produced a series of drawings for Le T-moin. While often alluding to serious contemporary issues, the style of his illustrations and drawings was fanciful rather than grotesque.

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